It never really started with a cardigan, it started inside HKN Studio, with a dress, a gold one, soft, fluid, almost melting into the body, the first bride I ever worked with, Rotem, and something shifted there, the moment knitwear entered my own language as a designer, not as reference, but as something I build from within. Rotem elegantly poses beside a vintage car, showcasing her custom-designed, champagne-colored, textured bridal gown. Rotem had seen a dress worn by Riff

It starts from the same instinct, the need to frame the collar, to fill that space between shirt and body, something that menswear has always relied on, the tie, structured, controlled, predictable, but this piece moves differently, it softens that gesture, opens it, turns it into something more fluid, more alive. This is where contemporary knitwear begins to shift the role of the accessory, not by replacing it directly, but by rethinking it, a knitwear accessory for men that

Crochet didn’t ask to be part of menswear, it just slipped in quietly, softened the edges, opened something in the body, and suddenly what used to feel fixed started to move. For a long time, knitwear lived in the background, associated with comfort, with tradition, with something safe, but contemporary knitwear doesn’t behave like that anymore, it doesn’t stay in place, it stretches, reveals, clings, sometimes almost disappears This is where crochet for men becomes interesti